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The gospel might be likened to the keyboard of a piano—a full keyboard with a selection of keys on which one who is trained can play a variety without limits; a ballad to express love, a march to rally, a melody to soothe, and a hymn to inspire; an endless variety to suit every mood and satisfy every need.
How shortsighted it is, then, to choose a single key and endlessly tap out the monotony of a single note, or even two or three notes, when the full keyboard of limitless harmony can be played.
How disappointing when the fullness of the gospel, the whole keyboard, is here upon the earth, that many churches tap on a single key. The note they stress may be essential to a complete harmony of religious experience, but it is, nonetheless, not all there is. It isn’t the fullness.